call
call

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me – like food or water. ~ Ray Charles

DSCF1398When I was returning to music after a 30-year hiatus, I used the Community Band and Orchestra Contact list to identify the many, many community bands in the Seattle and surrounding area.

Most of the community bands at the time had either no Web presence, or a limited Web page that basically gave you a phone number or e-mail to contact. I had no idea what the bands played and who they wanted to attract, let alone the audition requirements, if any.

So I picked the Woodinville band and jazz ensemble because it also had a jazz band. At the time it was directed by a phenomenal sax performer and former high school band director, Ray Guyll. When I called the membership phone number, Terri answered.

Me: Hi, I’m thinking about joining a community band.

Terri: That’s great, what instrument do you play?

Me: Sax. How do I audition?

Terri: Do you own an instrument?

Me: Yes.

Terri: Just show up for practice.

That year we did a very jazzy season finale concert with Greta Matassa and her combo, Eric Kloss saxophonist extraordinaire, and both the concert band and jazz ensemble at the Kirkland Performance Center. I purchased tickets for my extended family and friends. The concert was the best concert band concert I have ever been in yet and I even had a short solo in the beginning of ‘Blue Ridge Autumn’.

WCB_EarthAndSky

Here is an excellent sample of what this band has grown up to be under the direction of our current director, Leah: https://www.youtube.com/watch?v=gKUHUxo7ZhM

Since I joined this band, I have made it a point to hear and/or sit in with a lot of the other local community bands. I have yet to find one that I enjoy as much as the WCB.  The Woodinville Community Band has musicians from Jr. High age to players in their 80s. There are all levels of accomplishment, but most sections have a music major or two to hold the section down and teach the newbies.

Selecting a community band and making the decision whether to return to music performance is fraught with lots of decisions to make. Do I take lessons to get back in shape? Can I devote the time necessary to do a good job? Would I be a valuable asset to the band? Whatever you do, consider supporting your local band with attendance and donations. They will really appreciate it.

Latest Stories

View all

Choosing Your Instrument: Student, Step-Up, and Professional Tiers

Choosing Your Instrument: Student, Step-Up, and Professional Tiers

Selecting the right brass or woodwind instrument is a pivotal moment in any musician’s journey. From the durability required by beginners to the nuanced craftsmanship sought by professionals, the differences between instrument tiers are rooted in a century of design evolution. This guide explores the distinct characteristics of student, step-up, and professional models to help you make an informed investment that supports your specific musical goals and growth.

Read more

Shires Q38 and Q39 Contrabass Trombones: European vs. American Tuning

Shires Q38 and Q39 Contrabass Trombones: European vs. American Tuning

We are thrilled to welcome the Shires Q38 and Q39 contrabass trombones to the shop, offering players a serious and professional entry into the world of true low brass authority. These models acknowledge the diverse traditions of contrabass playing by offering two distinct tuning systems: the Q38 in European tuning (F/D/BBb/AAb) and the Q39 in American tuning (F/Db/C/AA). With additional options for gold or yellow brass bells, these instruments provide the depth and presence required for the most demanding orchestral and film repertoire.

Read more

The Eastman CC Tuba Guide: Finding Your Sound in the EBC Series

The Eastman CC Tuba Guide: Finding Your Sound in the EBC Series

We are pleased to announce the arrival of the Eastman EBC632, EBC832, EBC834, and EBC836 in the shop. From the nimble versatility of the 632 to the massive, "architectural" foundation of the 836, this lineup provides a thoughtful range of sizes and response profiles for every stage of a player's career. Whether you are a conservatory student preparing for auditions or a professional anchoring a symphonic section, these instruments offer a persuasive look at the future of modern CC tuba design.

Read more